"During this time I noticed the windows of publishers' offices. To say that the standard of display has now improved will be to make those who had not marked their former disarray boggle with incredulity. The faded crepe paper and yellow jackets of one were matched by the dust and dead flies of another. Warped bindings, scratched peg-boarding, bearing the hangover of last year's sellotape, curling show-cards and scarred areas of cobwebbed woodwork displaying nothing except the need for a char -- these typified the average publisher's window. In some cases, still do. But many are now making concessions to current trends and while the effect is mostly pathetic there are exceptions, like Heinemann's, who in their new building in Queen Street, Mayfair, mount eye-catching set pieces. Macmillan's, in St Martin's Street and Collins', in St. James's Place, however, maintain a stately domestic dignity and do not show their wares at all."
The Book of Westminster ed. Ian Norrie