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Showing posts with label Jerome K. Jerome. Show all posts
Showing posts with label Jerome K. Jerome. Show all posts

Tuesday, 22 January 2013

Consummate cursing

"We seemed like knights of some old legend, sailing across some mystic lake into the unknown realm of twilight, unto the great land of the sunset.

We did not go into the realm of twilight; we went slap into that punt, where those three old men were fishing.  We did not know what had happened at first, because the sail shut out the view,  but from the nature of the language, that rose up on the evening air, we gathered that we had come into the neighbourhood of human beings, and that they were vexed and discontented.

Harris let the sail down, and then we saw what had happened.  We had knocked those three old gentlemen off their chairs into a general heap at the bottom of the boat, and they were now slowly and painfully sorting themselves out from each other, and picking fish off themselves; and as they worked, they cursed us -- not with a common cursory curse, but with long, carefully-thought-out, comprehensive curses, that embraced the whole of our career, and went away into the distant future, and included all our relations, and covered everything connected with us - good, substantial curses.

Harris told them they ought to be grateful for a little excitement, sitting there fishing all day, and he also said that he was shocked and grieved to hear men their age give way to temper so.

But it did not do any good."

Three Men in a Boat  Jerome K. Jerome

Friday, 28 September 2012

Breaking the Butterfly

"I had marvelled up till then at the linguistic range of the average dramatic author who at a moment's notice 'adapts' you from the Russian, or the Scandinavian, or any other language that you choose.  I did not then know very much German and had to confess it.
 'That'll be all right,' said Daly.  'I'll send you the literal translation.'
 For translations, a shilling a folio used to be the price generally paid to the harmless necessary alien.

Somewhat against my conscience, I consented to bowdlerise Sudermann's play so as not to offend Mrs. Grundy, who then ruled the English and American stage.  Poor lady!  She must have done quite a lot of turning in her grave since then.  Jones went further when he adapted Ibsen's Doll's House.  In the last act Helmer took the forgery upon himself,  and the curtain went down on Nora flinging herself into his arms with the cry of 'Husband';  and the band played 'Charlie is my Darling'.  That was the first introduction of Ibsen to the British public.  'A charming author', was the verdict first passed on Ibsen in London."


My Life and Times  Jerome K. Jerome

Note: This English adaptation of A Doll's House was first performed in March 1884 as "Breaking the Butterfly".