Galileo's first refracting telescope, in the Museo Galileo, Florence
"learned men who greedily pursue,
Things that are rather wonderful than true."
"... grew distracted, whether to espouse,
The party of the Elephant or Mouse.
Some held there was no way so orthodox
As to refer it to the ballot box".*
Samuel Butler, The Elephant in the Moon, c. 1670
Fortunately sense and the empirical method prevailed, and the telescope was taken apart to reveal the mouse. [Maybe our politicians today should read Butler's poem.]
The early lunar romances were popular with the educated. Before Bishop Godwin's flying swans, Ariosto in his Orlando Furioso, 1532, sends his hero, Astolfo, a knight of Charlemagne, flying around on a hippogriff, half eagle and half horse (as described in Virgil).
Contemporary wood engraving with hippogriff for "Orlando Furioso", (wikimedia commons)
Reaching Paradise, Astolfo is then sent to the Moon in Old Testament Elijah's flaming chariot, where he discovers mad Orlando's lost wits, for according to myth, everything lost or wasted on earth is found on the moon. How prescient were these writers from antiquity?
The twentieth century American novelist, Herman Wouk, wrote a strange little Utopian journey to the moon in The Lomokome Papers in 1949. A US. Naval astronaut crash-lands and is captured and taken down to a subterranean (sublunar?) world. The story is pieced together from fragments of his log, found near the crash site, interspersed with sections of government reports of their findings.
As in other Utopias, the hero discovers the failings of the Lomokome system: -- "All the Hydrogen Belongs to All the People" -- and their chilling Law of Reasonable War and Death Day, which "reduces a foolishly chaotic arrangement, which threatens our total destruction, to a sane, safe, workable process".
The Lomokome Papers, with haunting illustrations by Harry Bennett
1968 edition © Herman Wouk
1956 Film Poster (wikimedia commons)
Where it has blossomed of course is on the screen, whether based on existing novels, or created by directors and authors now writing screenplays. The Forbidden Planet, of 1956, based by its original writers Irving Block and Allen Adler on Shakespeare's The Tempest, is regarded as the forerunner of the genre, which took off in the 1960s with many notable films and TV series.
To mention just two, 1968 sees Kubrick's unforgettable 2001: A Space Odyssey, based on a story by Arthur C. Clarke:
Film still from Stanley Kubrick's "2001: a Space Odyssey" (wikimedia commons)
and perhaps my favourite -- Silent Running, in 1972:
Film still from "Silent Running", with Bruce Dern and Huey, 1972 (wikimedia commons)
* from Joseph Addison's hymn, 1712