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Showing posts with label Virgil. Show all posts
Showing posts with label Virgil. Show all posts

Friday, 23 October 2015

"And a few friends, and many books,…" Abraham Cowley


Abraham Cowley,  Sir Peter Lely, 1666-67
© National Portrait Gallery

Highly regarded in the seventeenth century, there are portraits of Cowley in several Oxford and Cambridge Colleges, and he was buried in pomp in Westminster Abbey. His reputation as a poet dwindled in later centuries, but he should also be remembered for his influence amongst those who founded the Royal Society; his Proposition for the Advancement of Learning was published in 1661 and he and his friend John Evelyn shared their interest in botany. 


THE WISH

"Well then! I now do plainly see
This busy world and I shall ne'er agree.
The very honey of all earthly joy
Does of all meats the soonest cloy;
And they, methinks, deserve my pity
Who for it can endure the stings,
The crowd, and buzz, and murmurings,
Of this great hive, the city.

"Ah, yet, ere I descend to the grave,
May I a small house and large garden have;
And a few friends, and many books, both true,
Both wise, and both delightful too!
And since love ne'er will from me flee,
A Mistress moderately fair,
And good as guardian angels are,
Only beloved and loving me.

"O fountains! when in you shall I
Myself eased of unpeaceful thoughts espy?
O fields, O woods!  when, when shall I be made
The happy tenant of your shade?
Here's the spring-head of Pleasure's flood:
Here's wealthy Nature's treasury,
Where all the riches lie that she
Has coin'd and stamp'd for good.

"Pride and ambition here
Only in far-fetch'd metaphors appear;
Here naught but winds can hurtful murmurs scatter,
And naught but Echo flatter.
The gods, when they descended, hither
From heaven did always choose their way:
And therefore may we boldly say
That 'tis the way too thither.

"How happy here should I
And one dear She live, and embracing die!
She who is all the world, and can exclude
In deserts solitude.
I should have then this only fear: 
Lest men, when they my pleasures see,
Should hither throng to live like me,
And so make a city here." 

Abraham Cowley,  1618-1667.  

Cowley was a staunch Royalist, carrying secret letters between Henrietta-Maria from exile in France and Charles I.   Having lived through the political and religious upheaval under Charles I, Cromwell  and Charles II, it is not surprising that Cowley echoes Virgil and Horace in his picture of a quiet rural life (although he never married).  But for the modern reader, Andrew Marvell says it so much better.   

Monday, 5 August 2013

A poet's poet

"Three poets, in three distant ages born,
Greece, Italy & England did adorn.
The first in loftiness of thought surpass'd;
The next in majesty,  in both the last:
The force of nature could no farther go;
To make a third she joined the former two."

Lines Printed under the engraved Portrait of Milton, in Tonson's Folio edition of The Paradise Lost  John Dryden

Saturday, 23 February 2013

"but cackle like a goose among melodious swans"

'Sunt et mihi carmina, me quoque dicunt
Vatem pastores; sed non ego credulus illis.
Nam neque adhuc Vario videor nec dicere Cinna
Digna, sed argutos inter strepere anser olores."

Eclogue IX. 33    Virgil

Tuesday, 18 December 2012

Baskerville, a Lunar man

"Perhaps it was because they were self-taught that such men seemed to think that anything they set their heart on was achievable. Baskerville had worked for years, challenging a notoriously conservative craft, before he printed his ground-breaking Virgil of 1757.  He not only designed new typefaces but cast the type and set it and improved printing-press design, paper-making and ink-making.  Many of his experiments had the lateral-thinking quality that marked the Lunar circle - an ad hoc, quick readiness to seize the potential of things near to hand, to test the properties of everything they stumbled across, whether it be rocks, metals, acids or tools.  Baskerville's lustrous, oily, near-purple ink gained its unique colour from being mixed with 'fine-black', soot collected from the glass-pinchers' and solderers' lamps; his paper's prized glaze came from 'hot-pressing', a mysterious process probably based on a technique from his japanning work."

The Lunar Men   Jenny Uglow

Saturday, 18 August 2012

Valedictory: The Scholar to the Ashes of his Library


"Gone the books of many names,
Eaten up by hostile flames,
Loss of all his store at once
Leaves him a senescent dunce.

Tecum habita et noris
What your freightage at threescore is.
Where is now a lifetime's reading?
Is aught left for years succeeding?
Just a few scraps often quoted,
Or a fragment vaguely noted;
All is ash and burnt-out embers
But what one poor brain remembers.
Yet he sees the friendly faces
Row on row in their set places;
Knows exactly what is in them,
Could he wake up and re-win them.
Nay; they're ghosts, and they are gone
Into charred oblivion.

Fortune of the war, old man;
Play the Stoic if you can;
In the breast the heart be hid
Of the Second Aeneid,
Known and conned too many years
Not to transubstantiate tears.
'Studies into manners pass' --
So the sage's saying was.
Studies are for virtue's sake;
Be the man that they should make."

Charles Brodribb     Lincoln's Inn, October 1940
From The Book of The City,  editor Ian Norrie