"The invetriatura now having been thus applied and the pieces allowed to dry are now ready to receive the painting. This is executed with coarser and finer brushes or penelli, made of goats' and asses' hair, and the finest of the whiskers of rats or mice; the ordinary wares being held in the left hand or on the left knee and the finer in wooden cases, lined with tow, to prevent rubbing. A different brush must be used for each colour. The painters generally sit round a circular table suspended from the ceiling so that it may turn round, and upon this the different pigments are placed."
Maiolica C. Drury E. Fortnum (referring to Cipriani Piccolpasso's Li Tre Libri dell'Arte del Vasaio
or 'The Three Books of the Potter's Art')
A monthly miscellany from books, art, history and memories, usually with a theme for the 1st of the month. Ceramics and some English worthies are often featured.
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Showing posts with label brush. Show all posts
Showing posts with label brush. Show all posts
Wednesday, 3 April 2013
Thursday, 14 March 2013
Islamic calligraphy
"The curvilinear script of North Africa and Spain is very different from those of the East. Its most characteristic feature is the use of deep, almost hemispherical loops for the letters which descend below the line; in addition, the tops of the verticals incline to the left. The loading of the rather thinnish, brown ink is very variable and this, together with the very soft attack of the strokes and the flick of the descenders, gives an appearance of brushwork rather than pen work; however, it is more probable that a rather soft and fibrous reed was used."
Islamic Art Barbara Brend
Islamic Art Barbara Brend
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