" 'Tis not how witty, nor how free,
Nor yet how beautiful she be,
But how much kinde and true to me.
Freedome and Wit none can confine,
And Beauty like the Sun doth shine,
But kinde and true are only mine.
Let others with attention sit,
To listen, and admire her wit,
That is a rock where I'le not split.
Let others dote upon her eyes,
And burn their hearts for sacrifice,
Beauty's a calm where danger lyes.
But Kinde and True have been long tried,
A harbour where we may confide,
And safely there at anchor ride.
From change of winds there we are free,
And need not fear Storme's tyranny,
Nor Pirat, though a Prince he be."
attrib. Aurelian Townshend
A monthly miscellany from books, art, history and memories, usually with a theme for the 1st of the month. Ceramics and some English worthies are often featured.
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Showing posts with label love. Show all posts
Showing posts with label love. Show all posts
Monday, 23 September 2013
Sunday, 22 September 2013
On the subject of maps
" 'Dear friends,' [Angus] began, 'Domenica is back from a distant place. Would you mind a great deal if I were to deliver a poem on the subject of maps?'
'Not in the slightest,' said David Robinson. 'Maps are exactly what we need to hear about.' ...
'Although' he began, ' they are useful sources
Of information we cannot do without,
Regular maps have few surprises: their contour lines
Reveal where the Andes are, and are reasonably clear
On the location of Australia, and the Outer Hebrides;
Such maps abound; more precious, though,
Are the unpublished maps we make ourselves,
Of our city, our place, our daily world, our life;
Those maps of our private world
We use every day; here I was happy, in that place
I left my coat behind after a party,
That is where I met my love; I cried there once,
Once I saw the hills of Fife across the Forth,
Things of that sort, our personal memories,
That make the private tapestry of our lives.
Old maps had personified winds,
Gusty figures from whose bulging cheeks
Trade winds would blow; now we know
That wind is simply a matter of isobars;
Science has made such things mundane,
But love - that, at least, remains a mystery,
Why it is, and how it comes about
That love's transforming breath, that gentle wind,
Should blow its healing way across our lives.' "
Love over Scotland Street A. McCall Smith
'Not in the slightest,' said David Robinson. 'Maps are exactly what we need to hear about.' ...
'Although' he began, ' they are useful sources
Of information we cannot do without,
Regular maps have few surprises: their contour lines
Reveal where the Andes are, and are reasonably clear
On the location of Australia, and the Outer Hebrides;
Such maps abound; more precious, though,
Are the unpublished maps we make ourselves,
Of our city, our place, our daily world, our life;
Those maps of our private world
We use every day; here I was happy, in that place
I left my coat behind after a party,
That is where I met my love; I cried there once,
Once I saw the hills of Fife across the Forth,
Things of that sort, our personal memories,
That make the private tapestry of our lives.
Old maps had personified winds,
Gusty figures from whose bulging cheeks
Trade winds would blow; now we know
That wind is simply a matter of isobars;
Science has made such things mundane,
But love - that, at least, remains a mystery,
Why it is, and how it comes about
That love's transforming breath, that gentle wind,
Should blow its healing way across our lives.' "
Love over Scotland Street A. McCall Smith
Wednesday, 24 July 2013
Whose letter?
"I sent a letter to my love, and on the way I dropped it;
One of you has picked it up and put it in your pocket.
It's not you, it's not you, it's not you........ It's You!"
Children's round game, (anon).
One of you has picked it up and put it in your pocket.
It's not you, it's not you, it's not you........ It's You!"
Children's round game, (anon).
Sunday, 26 August 2012
A Ghost in the machine, Part 3.
Archy creates a situation 3: the foregoing--
"lines hopping from key
to key in the shadow and being anxious
to finish my
god my god cried henry losing his nerve
the machine is writing all by itself it
is a ghost and threw himself face
downward on the bed and hid his face in the
pillow and kept on saying my god my
god it is a ghost and the woman screamed
and said it is
tom higginbotham s ghost that s whose ghost
it is oh i know whose
ghost it is my conscience tells me i
jilted him when we were studying
stenography together
at the business college and he went into
a decline and died and i have always
known in my heart that he
died of unrequited love o what a
wicked girl i was and he has come
back to haunt me
i have brought a curse upon you henry chase
him away says henry trembling so the bed
shook chase him away mable you coward you
chase him away yourself says mable and both
lay and recriminated and recriminated
with their heads under the covers hot
night though it was while i wrote
the foregoing lines but after
a while it came out henry had a
stenographer on his conscience too and
they got into a row and got so
mad they forgot to be scared i will
close now this house is easily seen from the
railroad station and the woman sits in
the window and writes i will be behind the waste
paper receptacle outside the station door
come and get me i am foot sore and weary
they are still quarrelling as i
close i can do no less than
say thank you mable and henry
in advance for mailing this
archy"
Archy & Mehitabel Don Marquis
"lines hopping from key
to key in the shadow and being anxious
to finish my
god my god cried henry losing his nerve
the machine is writing all by itself it
is a ghost and threw himself face
downward on the bed and hid his face in the
pillow and kept on saying my god my
god it is a ghost and the woman screamed
and said it is
tom higginbotham s ghost that s whose ghost
it is oh i know whose
ghost it is my conscience tells me i
jilted him when we were studying
stenography together
at the business college and he went into
a decline and died and i have always
known in my heart that he
died of unrequited love o what a
wicked girl i was and he has come
back to haunt me
i have brought a curse upon you henry chase
him away says henry trembling so the bed
shook chase him away mable you coward you
chase him away yourself says mable and both
lay and recriminated and recriminated
with their heads under the covers hot
night though it was while i wrote
the foregoing lines but after
a while it came out henry had a
stenographer on his conscience too and
they got into a row and got so
mad they forgot to be scared i will
close now this house is easily seen from the
railroad station and the woman sits in
the window and writes i will be behind the waste
paper receptacle outside the station door
come and get me i am foot sore and weary
they are still quarrelling as i
close i can do no less than
say thank you mable and henry
in advance for mailing this
archy"
Archy & Mehitabel Don Marquis
Labels:
Archy,
Don marquis,
ghost,
love,
stenographer,
typewriter
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