"February 14th: Have won first prize in Time and Tide competition, but again divided. Am very angry indeed, and write excellent letter to the Editor under false name, protesting against this iniquitous custom. After it has gone, become seriously uneasy under the fear that use of false name is illegal. Look through Whitaker, but can find nothing but Stamp Duties and Concealment of Illegitimate Births, so abandon it in disgust.
Write to Angela -- under my own name -- to enquire kindly if she went in for the competition. Hope she did, and that she will have the decency to say so.
February 16th: Informed by Ethel, as she calls me in the morning, that Helen Wills has had six kittens, of which five survive.
Cannot imagine how I shall break this news to Robert. Reflect -- not for the first time -- that the workings of Nature are most singular.
Angela writes that she didn't go in for competition, thinking subject puerile, but that she solved 'Merope's' Crossword puzzle in fifteen minutes.
(N.B. This last statement almost certainly inaccurate.)"
Diary of a Provincial Lady E.M. Delafield
A monthly miscellany from books, art, history and memories, usually with a theme for the 1st of the month. Ceramics and some English worthies are often featured.
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Sunday, 16 February 2014
Wednesday, 5 February 2014
The Chinese jar
"Words move, music moves
Only in time; but that which is living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness."
From 'Burnt Norton', Four Quartets T.S. Eliot
Only in time; but that which is living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness."
From 'Burnt Norton', Four Quartets T.S. Eliot
Sunday, 2 February 2014
The poets
"And so I bound my verse into a book,
The Best of Betjeman, and handed it
To one who, I was told, liked poetry--
The American master, Mr. Eliot."
From Summoned by Bells John Betjeman
The Best of Betjeman, and handed it
To one who, I was told, liked poetry--
The American master, Mr. Eliot."
From Summoned by Bells John Betjeman
Wednesday, 29 January 2014
Seal of identity
"And in a hollow voice he spake, and said --
'Sohrab, that were a proof that could not lie.
If thou show this, then thou art Rustum's son.'
Then, with weak hasty fingers, Sohrab loosed
His belt, and near the shoulder bared his arm,
And show'd a sign in faint vermilion points
Prick'd: as a cunning workman, in Pekin,
Pricks with vermilion some clear porcelain vase,
An emperor's gift --at early morn he paints,
And all day long, and, when night comes, the lamp
Lights up his studious forehead and thin hands: --
So delicately prick'd the sign appear'd
On Sohrab's arm, the sign of Rustum's seal."
Sohrab and Rustum Matthew Arnold
'Sohrab, that were a proof that could not lie.
If thou show this, then thou art Rustum's son.'
Then, with weak hasty fingers, Sohrab loosed
His belt, and near the shoulder bared his arm,
And show'd a sign in faint vermilion points
Prick'd: as a cunning workman, in Pekin,
Pricks with vermilion some clear porcelain vase,
An emperor's gift --at early morn he paints,
And all day long, and, when night comes, the lamp
Lights up his studious forehead and thin hands: --
So delicately prick'd the sign appear'd
On Sohrab's arm, the sign of Rustum's seal."
Sohrab and Rustum Matthew Arnold
Sunday, 26 January 2014
"Unknown"
"I am the tomb of one that was shipwrecked: but sail you on, for on the day that we perished the other ships sailed on."
from The Greek Anthology
[and see Stephen Pentz on Callimachus, at First Known When Lost]
from The Greek Anthology
[and see Stephen Pentz on Callimachus, at First Known When Lost]
Sunday, 19 January 2014
"...Kingfishers catch fire,"
"Dearest Bridges,
I am sorry to hear of our differing so much in taste; I was hardly aware of it. (It is not nearly so sad as differing in religion.) I feel how great is the loss of not reading, as you say; but if I did read I do not much think the effect of it would be what you seem to expect, either on my compositions or on my judgments.
…The effect of studying masterpieces is to make me admire and do otherwise. So it must be on every original artist to some degree, on me to a marked degree. Perhaps then more reading would only refine my singularity, which is not what you want …"
Letter to Robert Bridges, sent from University College, St. Stephen's Green, Dublin. Sept. 25 1888. Gerard Manley Hopkins
Wednesday, 8 January 2014
"Benighted Travellers"
"A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and a written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering."
From Meditations in Time of Civil War W. B. Yeats
"Or let my Lamp at midnight hour,
Be seen in som high lonely Towr,
Where I may oft out-watch the Bear,… "
Il Penseroso John Milton
A grey stone fireplace with an open hearth,
A candle and a written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering."
From Meditations in Time of Civil War W. B. Yeats
"Or let my Lamp at midnight hour,
Be seen in som high lonely Towr,
Where I may oft out-watch the Bear,… "
Il Penseroso John Milton
Monday, 6 January 2014
"Hence vain deluded joys…"
"They went up to Proctor-Gould's room, a dark, lofty chamber on the third floor, furnished in the characteristic Imperial baroque, and looking out over the Kremlin. Proctor-Gould appeared to be not so much occupying the room as camping in it, like a rambler in some corner of the lawns at Versailles. An open suitcase lay on the floor at the foot of the bed, a tangled heap of possessions straggling out across the carpet. Suspended on plastic hangers from the dark furniture all about the room were wet shirts and socks, dripping into antique ornamental bowls or on to pages of the Soviet newspapers.
…[Proctor-Gould] rummaged in the suitcase, found a little aluminium camper's kettle with a folding handle, and disappeared with it into the corridor. Manning sat down in an uncomfortable carved chair, with brass lions' heads beneath his hands, and gazed about him, steeping himself in the profound melancholy of the room. On a table in the corner were stacked dozens and dozens of English books, all still in their dust jackets. Manning put his head on his shoulder to read the titles. He made out Religion and the Rise of Capitalism, The Human Use of Human Beings, Philosophical Investigations, five copies of Lucky Jim, and seven copies of the Concise Oxford Dictionary.
'I see you're looking at my beads,' said Proctor-Gould, coming back into the room holding the kettle, now steaming, at arm's length.
'Your what?'
'My beads. Presents for the natives. I always bring a suitcase full of English books when I come over -- they're like gold-dust here.'
He felt under the clothes in his case again, and produced two stout plastic mugs. Inside a spare suede shoe he located a Woolworth's apostle spoon, and beneath a pile of dirty socks, the old familiar tin.
'Do you mind Nescafe?' he asked."
The Russian Interpreter Michael Frayn
…[Proctor-Gould] rummaged in the suitcase, found a little aluminium camper's kettle with a folding handle, and disappeared with it into the corridor. Manning sat down in an uncomfortable carved chair, with brass lions' heads beneath his hands, and gazed about him, steeping himself in the profound melancholy of the room. On a table in the corner were stacked dozens and dozens of English books, all still in their dust jackets. Manning put his head on his shoulder to read the titles. He made out Religion and the Rise of Capitalism, The Human Use of Human Beings, Philosophical Investigations, five copies of Lucky Jim, and seven copies of the Concise Oxford Dictionary.
'I see you're looking at my beads,' said Proctor-Gould, coming back into the room holding the kettle, now steaming, at arm's length.
'Your what?'
'My beads. Presents for the natives. I always bring a suitcase full of English books when I come over -- they're like gold-dust here.'
He felt under the clothes in his case again, and produced two stout plastic mugs. Inside a spare suede shoe he located a Woolworth's apostle spoon, and beneath a pile of dirty socks, the old familiar tin.
'Do you mind Nescafe?' he asked."
The Russian Interpreter Michael Frayn
Thursday, 2 January 2014
Who was Warrender Chase?
"God knows where I got Warrender Chase from; he was based on no one that I knew.
I know only that the night I started writing Warrender Chase I had been alone at a table in a restaurant near Kensington High Street Underground eating my supper. I rarely ate out alone, but I must have found myself in funds that day. I was going about my proper business, eating my supper while listening-in to the conversation at the next table. One of them said, 'There we were all gathered in the living-room, waiting for him.'
It was all I needed. That was the start of Warrender Chase, the first chapter. All the rest sprang from that phrase.
But I invented for my Warrender a war record, a distinguished one, in Burma, and managed to make it really credible even although I filled in the war bit with a very few strokes, knowing, in fact, so little about the war in Burma. It astonished me later to find how the readers found Warrender's war record so convincing and full when I had said so little -- one real war veteran of Burma wrote to say how realistic he found it -- but since then I've come to learn for myself how little one needs, in the art of writing, to convey the lot, and how a lot of words, on the other hand, can convey so little…..
All these years since, the critics have been asking whether Warrender was in love with his nephew. How do I know? Warrender Chase never existed, he is only some hundreds of words, some punctuation, sentences, paragraphs, marks on the page. If I had conceived Warrender Chase's motives as a psychological study I would have said so. But I didn't go in for motives, I never have."
Loitering with Intent Muriel Spark
Labels:
Burma,
chapter,
Kensington,
marks,
Muriel Spark,
page,
paragraph,
punctuation,
sentence,
words
Sunday, 29 December 2013
Seasonal Greetings from frozenink.blogspot
A very big thank you to all those whose blogs I follow and enjoy reading regularly - including Spitalfields Life, English Buildings, Quad Royal, Fired Up, James Russell, First Known when Lost, and many others.
And if you wish to raise a glass, you may find a tipple or a tavern to your taste here :…
"Home-made drinks in England are beer and ale, strong and small: those of most note that are to be sold, are Lambeth ale, Margaret ale, and Derby ale; Herefordshire cider, perry, mede. There are also several sorts of compounded ales, as cock-ale, worm-wood ale, lemon-ale, scurvygrass-ale, College-ale, &c. These are to be had at Hercules Pillars, near the Temple; at the Trumpet, and other houses in Sheer Lane, Bell Alley; and, as I remember, at the English Tavern near Charing Cross."
Letters, 1697 John Locke
[and see www.pepysdiary.com for more detail]
And if you wish to raise a glass, you may find a tipple or a tavern to your taste here :…
"Home-made drinks in England are beer and ale, strong and small: those of most note that are to be sold, are Lambeth ale, Margaret ale, and Derby ale; Herefordshire cider, perry, mede. There are also several sorts of compounded ales, as cock-ale, worm-wood ale, lemon-ale, scurvygrass-ale, College-ale, &c. These are to be had at Hercules Pillars, near the Temple; at the Trumpet, and other houses in Sheer Lane, Bell Alley; and, as I remember, at the English Tavern near Charing Cross."
Letters, 1697 John Locke
[and see www.pepysdiary.com for more detail]
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