Willy Lott's Cottage, Dedham Vale; watercolour, grey ink John Constable 1832 © British Museum
Friday, 1st September
"A crisp, chilly morning, with that whiff of melancholy in the air. Autumn is well on the way. I would not mind if only I felt well, clear-headed and un-drugged. Sisson* took me to Flatford Mill which the N.T. has acquired. I love Constable, but I do not love this place. It has been made a travesty of the totally unpretentious, rural, domestic scene of one of England's greatest painters. Today the manor house is too picture postcardy for words. Willy Lott's Cottage is abominably whimsy inside. Sisson favours whitewashing or white painting all interior beams, I am glad to say. I concur with nearly all his ideas. The Mill itself is still relatively unspoilt, and the island garden, with fat box hedges and old apple trees is full of charm.
We drove to Thorington Hall. It has a rather neglected look, and the furniture inside -- well! The house has had evacuees, and not been inhabited as a private house since the war, which explains much.
Thorington Hall's landmark octagonal, star-topped chimneys at Stoke-by-Nayland
Paycocke's House elaborate carved frontage
Prophesying Peace James Lees-Milne 1944
Dedham Vale and Dedham Church John Constable 1828
© National Gallery of Scotland
Dedham Lock and Mill John Constable 1820 ©V&A Museum
*Marshall Sisson was an architect who lived in Shermans House in Dedham; in August the next year Lees-Milne stayed with the Sissons for the weekend: "Sisson and I walked to Flatford Mill, where we watched the milling crowds bathing, running, jumping and enjoying themselves". Prophesying Peace 1945 James Lees-Milne
Maybe they walked along Fen Lane, which was Constable's boyhood path from East Bergholt to school in Dedham?
Fen Lane, East Bergholt John Constable 1817 © Tate Britain
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