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Showing posts with label A. Marvell. Show all posts
Showing posts with label A. Marvell. Show all posts

Sunday, 3 August 2014

Bermuda: "In th' Ocean's bosom unespy'd"

"The strange thing was that when I came to the surface I found that during my time below I had forgotten all rules of perspective and other dicta of the art schools, and that I had drawn everything in proportion of its importance to me.  In the upper world of air we have accustomed ourselves to make subconscious adjustments in our vision, so that an elephant seen a mile away still conjures up an idea of something large, though its actual dimensions on our retina may be no bigger than those of the fly on our boot.
 Under the water all these adjustments vanished, and if a particularly interesting small fish passed in the distance, I found that in my drawing it was depicted very much larger than some dull fellow twice the size who happened to be near at hand.  This suggests a parallel with primitive art, where objects were drawn on cave wall or canvas according to their importance to the artist, and not according to mathematics and laws of optics.  Doubtless, when I have dived more often, I shall begin those accursed adjustments of reason, and may even, in time, write a textbook on the subject.  God forbid!"

Blue Angels and Whales  Robert Gibbings

Friday, 1 August 2014

'Where the remote Bermudas rise'

"Each time I went down I made a drawing: there was no need to wander about and search for a subject; wherever I looked there was something new to draw."

BERMUDA
Blue angel fish pass and repass in scores                           Three miles from the shore a ring of coral rises from deep water

The drawings printed on this and the eleven following pages are direct reproductions from the author's pencil sketches made on Xylonite while he was actually under water.


Blue Angels and Whales    Robert Gibbings

Tuesday, 24 June 2014

"this lovely green"

"No white nor red was ever seen
So amorous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress' name:
Little, alas, they know or heed
How far these beauties her exceed!
Fair trees! where'er your barks I wound,
No name shall but your own be found.

When we have run our passion's heat,
Love hither makes his best retreat:
The gods, who mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so
Only that she might laurel grow:
And Pan did after Syrinx speed
Not as a nymph, but for a reed.

What wond'rous life is this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons, as I pass
Ensnared with flowers, I fall on grass."

from The Garden  Andrew Marvell

Monday, 3 September 2012

Tulips and peacocks


"The tulip is a peacock among flowers:
 one has no scent, the other has no song;
the one glories in its gown, the other in its train."

From the French.


"A Peacock once placed a petition before Juno desiring to have the voice of a nightingale in addition to his other attractions; but Juno refused his request.
When he persisted, and pointed out that he was her favourite bird, she said:
'Be content with your lot; one cannot be first in everything.'  "

Fables of Aesop, edited by Joseph Jacobs.


"See how the Flow'rs, as at Parade,
Under their Colours stand displayed:
Each Regiment in order grows,
That of the Tulip Pinke and Rose."

Upon Appleton House, to my Lord Fairfax
Andrew Marvell