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Showing posts with label Gilbert Spencer. Show all posts
Showing posts with label Gilbert Spencer. Show all posts

Sunday, 16 April 2017

Resurrection , imperfect


John Donne Arriving in Heaven   Stanley Spencer, 1911   Fitzwilliam Museum, Cambridge

Stanley Spencer was inspired to paint this by reading Donne's Sermons, a book given him by his friends and fellow students at the Slade, Jacques and Gwen (Darwin) Raverat.  "One had been brought up with the notion that heaven was, if not all enveloping, at least straight ahead.  In this picture [Stan] told me, he had the idea that heaven was to one side: walking along the road he turned his head and looked into Heaven,"  Gilbert Spencer.

Resurrection, imperfect

"Sleep sleep, old Sun, thou canst not have repast
As yet, the wound thou took'st on friday last;
Sleepe then, and rest; the world may beare thy stay,
A better Sun rose before thee to day,
Who, not content to'enlighten all that dwell
On the earths face, as thou, enlightned hell,
And made the darke fires languish in that vale,
As, at thy presence here, our fires grow pale.
Whose body having walk'd on earth, and now
Hasting to Heaven, would, that he might allow
Himselfe unto all stations, and fill all,
For these three daies become a minerall;
Hee was all gold when he lay downe, but rose
All tincture, and doth not alone dispose
Leaden and iron wills to good, but is
Of power to make even sinfull flesh like his.
Had one of those, whose credulous pietie
Thought, that a Soule one might discerne and see
Goe from a body, 'at this sepulchre been,
And, issuing from the sheet, this body seen,
He would have justly thought this body a soule,
If not of any man, yet of the whole."

Poems  John Donne, 1573-1631

Tuesday, 22 September 2015

The power of drawing





This lovely drawing is by Jehan (John) Daly, whose biography and some other intriguing artist's studio drawings I found on the Liss Llewellyn Fine Art website.  Daly was a close friend of John Stanton Ward, but for me he also links two artists I admire:  Gilbert Spencer, who taught  (or rather allowed him to follow his own path) at the Royal College of Art, and John Sergeant, another Welsh artist and masterly draughtsman.


Bathroom at Erdigg  John Sergeant  1987
National Trust Collection

[Footnote:  James Russell has recently highlighted Fay Ballard's quiet drawings in his blog,  which you may also enjoy.]