" 'But you should not persuade me that I think so very much about Mr Tilney, for perhaps I may never see him again.'
'Not see him again! My dearest creature, do not talk of it. I am sure you would be miserable if you thought so.'
'No, indeed, I should not. I do not pretend to say that I was not very much pleased with him; but while I have Udolpho to read, I feel as if nobody could make me miserable. Oh! the dreadful black veil! My dear Isabella, I am sure there must be Laurentina's skeleton behind it.'
'It is so odd to me, that you should never have read Udolpho before: but I suppose Mrs Morland objects to novels.'
'No, she does not. She very often reads Sir Charles Grandison herself; but new books do not fall in our way.'
'Sir Charles Grandison! That is an amazing horrid book, is it not?--I remember Miss Andrews could not get through the first volume.'
'It is not like Udolpho at all; but yet I think it is very entertaining.'
'Do you indeed! -- you surprise me; I thought it had not been readable. But, my dearest Catherine, have you settled what to wear on your head tonight? I am determined at all events to be dressed exactly like you. The men take notice of that sometimes you know.' "
Northanger Abbey Jane Austen
A monthly miscellany from books, art, history and memories, usually with a theme for the 1st of the month. Ceramics and some English worthies are often featured.
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Sunday, 18 May 2014
Monday, 12 May 2014
Phantom Listeners
"I liked war poetry best, the more savage the better, and knew by heart most of Siegfried Sassoon's and many of Wilfred Owen's and Robert Nichols'; and the gentle magic of Walter de la Mare worked as powerfully in the glare of the African bush as among the haunted shadows, moonlit orchards and crepuscular churchyards that inspired his muse. Riding M'zee through the coffee plantation my sun-warmed spine would chill to a vision of a host of phantom listeners thronging the faint moonbeams on the dark stair; I would see, among spiky, yellow sodom-apples beside a winding path through the reserve, a bank of ancient briars so old that no man knows through what wild century roves back the rose; and the two worlds joined when a red-eyed dove puffing its iridescent breast in song would recall the smooth-plumed bird in the emerald shade, the seed of grass, the speck of stone that the wayfaring ant stirs, and hastes on. And although the poet's twilit northern land of yew-trees and goblins, and our scorched and dappled plains and heat-stunned ridges, were as far apart in character as in distance, there lay between them a bond of magic, of the feel of things just out of sight, of the blundering owl, the four-clawed mole and the hooded bat, and their enigmatic reminder that blind as these three to me, so blind to someone I must be.
A parcel from the Poetry Bookshop was therefore the most exciting argosy to be looked for from an English mail."
The Mottled Lizard Elspeth Huxley
A parcel from the Poetry Bookshop was therefore the most exciting argosy to be looked for from an English mail."
The Mottled Lizard Elspeth Huxley
Sunday, 11 May 2014
O Nightingale my heart
"O Nightingale my heart
How sad thou art!
How heavy is thy wing,
Desperately whirred that thy throat may fling
Song to the tingling silences remote!
Thine eye whose ruddy spark
Burned fiery of late,
How dead and dark!
Why so soon didst thou sing,
And with such turbulence of love and hate?
Lear that there is no singing yet can bring
The expected dawn more near;
And thou art spent already, though the night
Scarce has begun;
What voice, what eyes wilt thou have for the light
When the light shall appear,
And O what wings to bear thee t'ward the Sun?"
O Nightingale my heart Robert Nichols
(courtesy of poemhunter.com)
How sad thou art!
How heavy is thy wing,
Desperately whirred that thy throat may fling
Song to the tingling silences remote!
Thine eye whose ruddy spark
Burned fiery of late,
How dead and dark!
Why so soon didst thou sing,
And with such turbulence of love and hate?
Lear that there is no singing yet can bring
The expected dawn more near;
And thou art spent already, though the night
Scarce has begun;
What voice, what eyes wilt thou have for the light
When the light shall appear,
And O what wings to bear thee t'ward the Sun?"
O Nightingale my heart Robert Nichols
(courtesy of poemhunter.com)
Saturday, 10 May 2014
'Mercury'
"I was half-way through the belt of trees above the water-meadow when automatically my hand went to my pocket, encountering the sharp edge of the flap of the unsealed envelope. With no further intention in my mind I pulled it out and looked at it. There was no address (or direction, as Mrs Maudsley called it, why I could not imagine) on the envelope: there never was. But the open flap disclosed some writing which, at the moment, was the wrong side up.
Among the complexities of our school code was a very wholesome respect for the Eleventh Commandment. But we also had a strong sense of justice, and if we were found out we did not expect to be let off.
…
The rules about reading other people's letters were fairly well defined. If you left your letters lying about and somebody read them, then it was your fault, and you were not justified in retaliation, If somebody rifled your desk or locker and read them then it was their fault, and you were justified in taking vengeance…
...I had often passed round notes at school. If they were sealed I should not have dreamed of reading them; if they were open I often read them -- indeed, it was usually the intention of the sender that one should, for they were meant to raise a laugh. Unsealed, one could read them, sealed one couldn't: it was as simple as that. The same rule applied to post-cards: one read a post-card that was sent to someone else, but not a letter.
Marian's letter was unsealed and therefore I could read it. So why hesitate?
….
But I would not take the letter out of the envelope: I would only read the words that were exposed, and three of them were the same, as I could see from upside down.
'Darling, darling, darling,
Same place, same time, this evening,
But take care not to---'
The rest was hidden by the envelope."
The Go-Between L.P.Hartley
Among the complexities of our school code was a very wholesome respect for the Eleventh Commandment. But we also had a strong sense of justice, and if we were found out we did not expect to be let off.
…
The rules about reading other people's letters were fairly well defined. If you left your letters lying about and somebody read them, then it was your fault, and you were not justified in retaliation, If somebody rifled your desk or locker and read them then it was their fault, and you were justified in taking vengeance…
...I had often passed round notes at school. If they were sealed I should not have dreamed of reading them; if they were open I often read them -- indeed, it was usually the intention of the sender that one should, for they were meant to raise a laugh. Unsealed, one could read them, sealed one couldn't: it was as simple as that. The same rule applied to post-cards: one read a post-card that was sent to someone else, but not a letter.
Marian's letter was unsealed and therefore I could read it. So why hesitate?
….
But I would not take the letter out of the envelope: I would only read the words that were exposed, and three of them were the same, as I could see from upside down.
'Darling, darling, darling,
Same place, same time, this evening,
But take care not to---'
The rest was hidden by the envelope."
The Go-Between L.P.Hartley
Wednesday, 7 May 2014
Sylph of the Salon
"She started taking the women's papers Work-basket and Sylph of the Salon, devouring in their entirety all the accounts of first nights, race-meetings and parties, and becoming interested in a singer making her debut or a shop that was being opened. She knew all the latest fashions, where to find the best tailors, the days for going to the Bois or the Opera. She studied descriptions of furniture in Eugene Sue, and sought in Balzac and George Sand a vicarious gratification of her own desires. She even brought her book to the dinner-table, and turned over the pages while Charles ate and talked."
Madame Bovary Gustave Flaubert
Madame Bovary Gustave Flaubert
Friday, 25 April 2014
A scarlet letter
"This rag of scarlet cloth --for time and wear and a sacrilegious moth had reduced it to little other than a rag -- on careful examination, assumed the shape of a letter. It was the capital letter A.
...
In the absorbing contemplation of the scarlet letter, I had hitherto neglected to examine a small roll of dingy paper, around which it had been twisted. This I now opened, and had the satisfaction to find, recorded by the old surveyor's pen, a reasonably complete explanation of the whole affair. There were several foolscap sheets containing many particulars respecting the life and conversation of one Hester Prynne, who had appeared to be rather a noteworthy personage in the view of our ancestors. She had flourished during the period between the early days of Massachusetts and the close of the seventeenth century."
Introductory to The Scarlet Letter Nathaniel Hawthorne
...
In the absorbing contemplation of the scarlet letter, I had hitherto neglected to examine a small roll of dingy paper, around which it had been twisted. This I now opened, and had the satisfaction to find, recorded by the old surveyor's pen, a reasonably complete explanation of the whole affair. There were several foolscap sheets containing many particulars respecting the life and conversation of one Hester Prynne, who had appeared to be rather a noteworthy personage in the view of our ancestors. She had flourished during the period between the early days of Massachusetts and the close of the seventeenth century."
Introductory to The Scarlet Letter Nathaniel Hawthorne
Wednesday, 23 April 2014
"The Way We Live Now"
"It was an unusually respectable bookshop for this area of Soho, quite unlike the bookshop which faced it across the street and bore the simple sign 'Books' in scarlet letters. The window below the scarlet sign displayed girlie magazines which nobody was ever seen to buy -- they were like a signal in an easy code long broken; they indicated the nature of private wares and interests inside. But the shop of Halliday & Son confronted the scarlet 'Books' with a window full of Penguins and Everyman and second-hand copies of World's Classics. The son was never seen there, only old Mr Halliday himself, bent and white-haired, wearing an air of courtesy like an old suit in which he would probably like to be buried. He wrote all his business letters in long-hand: he was busy on one of them now.
'A fine autumn morning, Mr Castle,' Mr Halliday remarked, as he traced with great care the phrase 'Your obedient servant'. …
'I wonder if you've got a copy of War and Peace? I've never read it. It seems about time for me to begin. … I need a change.'
'The Macmillan edition is out of print, but I think I think I have a clean second-hand copy in the World's Classics in one volume. The Aylmer Maude translation. You can't beat Aylmer Maude for Tolstoy. He wasn't a mere translator, he knew the author as a friend.' He put down his pen and looked regretfully at 'Your obedient servant'. The penmanship was obviously not up to the mark.
'That's the translation I want. Two copies of course.' "
[Postscript:] "Mr Halliday said, 'I have a little present. A copy of that Trollope you asked for. You won't need a second copy now. It's a long book, but there'll be a lot of waiting. There always is in war. It's called The Way We Live Now. ' "
The Human Factor Graham Greene
'A fine autumn morning, Mr Castle,' Mr Halliday remarked, as he traced with great care the phrase 'Your obedient servant'. …
'I wonder if you've got a copy of War and Peace? I've never read it. It seems about time for me to begin. … I need a change.'
'The Macmillan edition is out of print, but I think I think I have a clean second-hand copy in the World's Classics in one volume. The Aylmer Maude translation. You can't beat Aylmer Maude for Tolstoy. He wasn't a mere translator, he knew the author as a friend.' He put down his pen and looked regretfully at 'Your obedient servant'. The penmanship was obviously not up to the mark.
'That's the translation I want. Two copies of course.' "
[Postscript:] "Mr Halliday said, 'I have a little present. A copy of that Trollope you asked for. You won't need a second copy now. It's a long book, but there'll be a lot of waiting. There always is in war. It's called The Way We Live Now. ' "
The Human Factor Graham Greene
Saturday, 12 April 2014
Jane Austen, or, Shades of grey?
"April had got into the way of reading Jane Austen less for pleasure than as a counteraction to those French books and Chinese and Egyptian prints and pictures which Barry liked her to study before he tried to follow out their instructions and illustrations in bed. After his death she never knew how to get rid of his books -- too thick to burn and quite inappropriate for Oxfam -- so they remained, parcelled up in their dreadful privacy on the top shelf of her wardrobe. Hidden there they were as lost to her memory as were any occasional gleams of pleasure in past experience. Happily now, she knew the value of her own bodily privacy. She even enjoyed the privacy of her deafness, ignoring what she did not want to hear, even when she happened to hear it. In the same way she could contentedly block remembrance.
....with Tiger fumbling contentedly at her feet, she reopened Mansfield Park wondering, not for the first time, whether Fanny had not been rather more than an idiot to refuse Henry. Perhaps so. Perhaps not. Henry might easily have turned out to be an earlier Grange-Gorman. She poked Tiger with her toe and read on peacefully."
Time After Time Molly Keane
....with Tiger fumbling contentedly at her feet, she reopened Mansfield Park wondering, not for the first time, whether Fanny had not been rather more than an idiot to refuse Henry. Perhaps so. Perhaps not. Henry might easily have turned out to be an earlier Grange-Gorman. She poked Tiger with her toe and read on peacefully."
Time After Time Molly Keane
Sunday, 6 April 2014
"Lacon, or Many Things in few Words.."
"Mr Redding draws the following picture of Mr. Colton's lodgings in [Princes Street], London.
'His sitting-room was carpetless; a common deal table stood in the centre, and a broken phial placed in a tea-saucer served for an inkstand, surrounded with letter covers and paper scraps. Four common chairs, one or two rickety, a side table holding a few books, half a quire of foolscap paper, and some discarded pens, on one side of the room, composed nearly all the furniture, fishing-rods and gun excepted. Here he indited Lacon. His copy was written on scraps of paper, blank sides of letters, and but rarely on bran-new paper. It is untrue that his rooms were as bad as some penny-a-line scribbler made out in a newspaper sketch of him. They were always clean …' "
Village London. part 4, Edward Walford, quoting Cyrus Redding's Recollections on C.C. Colton, Vicar of Kew and Petersham
Saturday, 5 April 2014
"the sincerest of flattery"
"Elizabeth thanked [Bingley] from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded.
'And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into.'
Elizabth assured him that she could suit herself perfectly with those in the room.
'I am astonished,' said Miss Bingley, 'that my father should have left so small a collection of books.
--What a delightful library you have at Pemberley, Mr. Darcy!'
'It ought to be good,' he replied, 'it has been the work of many generations.'
'And then you have added so much to it yourself, you are always buying books.'
'I cannot comprehend the neglect of a family library in such days as these.'
'Neglect! I am sure you neglect nothing that can add to the beauties of that noble place.' "
Pride and Prejudice Jane Austen
'And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into.'
Elizabth assured him that she could suit herself perfectly with those in the room.
'I am astonished,' said Miss Bingley, 'that my father should have left so small a collection of books.
--What a delightful library you have at Pemberley, Mr. Darcy!'
'It ought to be good,' he replied, 'it has been the work of many generations.'
'And then you have added so much to it yourself, you are always buying books.'
'I cannot comprehend the neglect of a family library in such days as these.'
'Neglect! I am sure you neglect nothing that can add to the beauties of that noble place.' "
Pride and Prejudice Jane Austen
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