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Showing posts with label Etruria. Show all posts
Showing posts with label Etruria. Show all posts

Wednesday, 17 September 2014

Saving Wedgwood 6: Erasmus Darwin

Erasmus Darwin of Lichfield was a physician, botanist, inventor and philosopher.   From his friendship with Matthew Boulton, the Birmingham manufacturer,  was born the Lunar (or Lunatic) society, shortly to be joined by Josiah Wedgwood, Joseph Priestley, and James Watt, and other freethinkers. These friends and entrepreneurs met when the full moon gave them light to travel by, sharing ideas and discoveries  (and see The Lunar Men, by Jenny Uglow).  Erasmus and Josiah's close family friendship led to the marriage of their children, Robert Darwin and Susanna Wedgwood. 




Erasmus Darwin,   Wedgwood jasper portrait,  c.1850-1900, originally modelled by William Hackwood 1780, (after the portrait by Thomas Wright of Derby 1779)      © Fitzwilliam Museum


After his friend's death, Erasmus praised his achievements  in his poem The Botanic Garden of 1803, 

  "And pleased on WEDGWOOD ray your partial smile,
A new Etruria decks Britannia's isle.
Charmed by your touch, the kneaded clay refines,
The biscuit hardens, the enamel shines,
Each nicer mould a softer feature drinks,
The bold Cameo speaks, the soft Intaglio thinks."


This rich Waterlily design dinner service, based on accurate illustrations in botanical journals, was ordered for Erasmus's son, Dr. Robert Darwin (father of Charles) in 1807.  The brown underglaze printing was unusual and the overglaze gilding and hand-painted enamels made it expensive to produce;  production changed to the  much cheaper blue printing in 1811.   



Waterlily Plate, c. 1807-1808
© Fitzwilliam Museum, Cambridge

Saturday, 13 September 2014

Saving Wedgwood 4: the enlightened Scotsman

"We walked hence to see the Palazzo Barberini, design'd by the now Pop<e>s Architect Cavaliere Bernini, & which I take to be as superb, and princely an object, as any modern building in Europ for the quantity:
…to this is annexed a Gallery completely furnish'd <with> whatsoever Art can call rare and singular, & a Library full of worthy Collections, Medails, Marbles, and Manuscripts;"

Diary entry, Rome,  November 1644, John Evelyn, (ed. E.S. de Beer)

Among the Collections, was a Roman blue glass cameo vase,  decorated with scenes in white relief,  dating from the reign of Augustus, which (already famous for its beauty and mystery) was acquired by the Barberini family in 1627.  Over a century and a half  later in 1780 it was sold to meet gambling debts and in turn was sold on by James Byres to Sir William Hamilton in 1783.

James Byres, the dealer and intermediary, was an architect, antiquarian and scholar from Aberdeen, whose family fled to France after the Jacobite rising, then living in Rome and leading English visitors around the sights.
 "My guide was Mr. Byres, a Scottish antiquary of experience and taste.  But in the
daily labour of 18 weeks the powers of attention were sometimes fatigued."   Memoirs  Edward Gibbon



     

Temple of the Sybil in Tivoli,  etching, G.& F. Piranesi, c. 1756


Byres made a serious study of Etruscan painted tombs, on which the Adam brothers drew for their fashionable neoclassical interiors. His scholarly and philosophical interests also stretched to fossils and volcanoes, interests he shared with Sir William Hamilton, and it was the influence of Byres's pioneering work that led Wedgwood to name his new factory "Etruria".

see:  The Portland Vase  Susan Walker © Trustees of the British Museum
and www.savewedgwood.org